PRIZED POSSESSIONS

Everyone has a prized collection that he for some reason cherishes like no other thing they possess. It can be a lifetime achievement trophy or a handful of sand from their homeland. At times it is just Faith that people have of what is utmost value to them and nothing of worldly possessions.

Fact of matter is, it’s actually never the price that determines the value of the object in the possession. Two things add value – it’s rarity and the sentiments attached to it. The rare and/or the more emotionally attached the person is, the more valuable it is. Rarity brings about a general value that his peers and fellow enthusiasts can appreciate. Sentiments is strictly personal for the owner.

I too have in my possession such an object, and it is both – rare and has personal emotions attached to it. It’s my Minolta Mirror magazine collection dating from 1976 ~ 1993 in mint condition. I have all the editions that Minolta printed except for the 1975. (If there’s anyone out there who has it, please let me know)

Looking at the photographs in these magazines that were all done on film, it gives a sense and a measure as to how much crappy shots are being taken with the advent of digital. I started with film back in ’88 and I still remember thinking twice, thrice… sometimes four times before pressing that shutter. When not shooting, I just held the camera to my eye and tried to see things through the viewfinder. It was like training my eye to see how the camera would see. To pre-visualize a scene and see how it might look if I actually shot it.

The richness of Kodachromes and Fujichromes among other films that photographers swear upon, can all be seen and appreciated through the beautifully printed photographs featured in the magazine. As someone said in a forum regarding the quality of print and paper of Minolta Mirror “It would cost a fortune to print such a magazine if someone were to attempt it now”. The only magazine that has “dared” to print with such quality has been LensWork. 

I for one, am very happy and grateful, that I’ve had the good fortune of owning such a collection. Ironically, it makes me really sad and breaks my heart when I am reminded that film is no longer a viable option in these fast-paced times. The discontinuation of a giant company like Kodak speaks volumes and is a sure tell-tale sign of the future of film.

It took a lot of work to scan the front and back covers of the 18 magazines and at same time being very careful not to “hurt” my precious!! The worst part is, when I was done scanning, I stumbled upon a website where all that had been done! Can’t say how frustrated I got, but it sure was a good exercise. 🙂

There are still a few MM’s floating around on Ebay… be sure to get your copy while it’s there. You’ll be happy you did!!

 

Homage To A Master

This is one of those photographs that has made it’s home in my heart and mind, and I have never forgotten it.

Taken by Brian Brake in the 1960 in India, this photograph clearly exhibits the mastery of Brian Brake over the art and craft of photography.

A saying by B. Brake in the following article which has taught me immensely, “You’ve got eyes boy, use them!“

That saying of B. Brake has taught me and guided me to learn more about metering and not relying on the camera’s meter at all if I didn’t choose to. I think that people nowadays, have receded more and more from the “craft” of photography than ever before and have familiarized themselves with the technicalities and the jargon that surrounds it – esp. in the digital realm.

((scanned from Minolta Mirror 1986 on Canon Pixma MP 130. If someone would like to buy the magazine, please let me know))